News at Zen

How Much Work Is Hard Work?

In a very interesting article in The Guardian, Marc Burrows writes about the incredible workload of the popstars that we serious musos all love to ridicule. Read this:

Irrespective of what anyone thinks about the music that boy bands make, let’s for a moment get off our high horse and just consider the sheer work ethic involved in having success.

To every member of every alt/rock band reading this: when was the last time you did even a fraction of what’s described above? Honestly, now.

Food for thought, eh?

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The Manic Shine at The Great Escape

A very nice review of The Manic Shine at our showcase at The Great Escape by Rawramp.

Cool. Read the rest here.

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iremembertapes. in 7Bit Arcade

iremembertapes. are Band Of The Day on 7Bit Arcade

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Athletes In Paris – Rootsounds

Another nice thumbs up for Athletes In Paris, this time in Rootsounds.

Catch the guy at our showcase at The Great Escape this Friday 17th!

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Athletes In Paris – Album Review

The amazing Athletes In Paris get lavish praise from Listenwithmonger.

Buy the thing!

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The Sunset Strip Club – Live Video

The extraordinary The Sunset Strip Club visited a French TV station to record a live thang. You can blow it out if you’ve got it in ya. Yes sir. Impressive.

The Sunset Strip Club will perform at our showcase at The Great Escape in Brighton on 17th May @ The Fishbowl.

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Beat The Poet – Kerb Crawling Love

The stellar Beat The Poet will be playing at our showcase at The Great Escape later this month. They’re on tour this week. They have a single coming out. If that isn’t nice, what is?

Kerb Crawling Love is out on The Animal Farm 27th May.

See them on tour!

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Money Tree

The first time I heard that money didn’t grow on trees I thought it was a brilliant metaphor. Granted, I was just a kid and the more I heard that money and wealth have less to do with photosynthesis than hard work the more it started sounding like a conspiracy to make me put my guitar down…

When I started out in music I felt that we offered something of value for which we needed to get paid. Our drummer said to our agent, who wasn’t getting enough gigs for us, that he didn’t have enough money to live on. The agent’s mystifying response: get a job. It was mystifying because I didn’t get why he wouldn’t just book more shows. We were perfectly willing to do a lot of them.

It didn’t even enter my mind that our product might not attract enough customers for the value chain of band-agent-promoter-venue to make it feasible.

I also felt, as many young musicians do, that stakeholders in the value chain of music – manager, label, producer, etc. – had their own money trees to pick cash from, so that I could be the well deserving recipient of their time, attention and resources. Not once did I ever think about how they made a living, let alone care if I contributed to it.

It’s unhelpful to externalise such problems. The ability to look at problems from the other guy’s perspective is a good skill to have. Never more so than in today’s world of music where music either sells a lot or not at all – with not much else in the middle.

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